‘La forma Della voce’, Collections by Palazzo
Bellini, Italy (2025, with pianist Raidriar Chen)
‘La forma della voce’
This series embodies a synesthetic translation of modern piano repertoire, where chromatic and structural interpretations reveal the imagined landscapes
composers intend for listeners. My practice navigates the liminal space between auditory and visual expression.
Olivier Messiaen's theological meditations on nature demand sacred restraint—conveyed through traditional techniques that echo liturgical solemnity. Conversely,
George Crumb's cosmic vocabulary invites radical deconstruction: mathematical analysis of linear-curvilinear forms births avant-garde visual syntax.
Five compositional philosophies converge: Caroline Shaw's temporal dialogues (past/present), Messiaen's transcendent symbiosis (nature/faith), Holst's astral
resonances (cosmic interconnections), Crumb's celestial psychology (planets/psyche), and Ge Ganru's surrealist narratives of societal metamorphosis (history/
humanity). Together, they form a century-spanning cultural symphony materialized in pigment.
