‘La forma Della voce’, Collections by Palazzo 
Bellini, Italy (2025, with pianist Raidriar Chen)
‘La forma della voce’
This series embodies a synesthetic translation of modern piano repertoire, where chromatic and structural interpretations reveal the imagined landscapes 
composers intend for listeners. My practice navigates the liminal space between auditory and visual expression. 
Olivier Messiaen's theological meditations on nature demand sacred restraint—conveyed through traditional techniques that echo liturgical solemnity. Conversely, 
George Crumb's cosmic vocabulary invites radical deconstruction: mathematical analysis of linear-curvilinear forms births avant-garde visual syntax. 
Five compositional philosophies converge: Caroline Shaw's temporal dialogues (past/present), Messiaen's transcendent symbiosis (nature/faith), Holst's astral 
resonances (cosmic interconnections), Crumb's celestial psychology (planets/psyche), and Ge Ganru's surrealist narratives of societal metamorphosis (history/
humanity). Together, they form a century-spanning cultural symphony materialized in pigment.
Makrokosmos I
来源: | 作者:KairosHwang | 发布时间 :2025-06-14 | 86 次浏览: | 🔊 Click to read aloud ❚❚ | Share:
Media:Comprehensive media
Size:20cm*20cm,40cm*50cm

哥白尼-日心说的太阳系

作品通过结合由神秘主义色彩塑造超自然结构暗示的概念与George Crumb传统严谨,数理化的创作手法,来展现大宇宙中天体的运动轨迹。 来源于人物画传统中的路米斯技法也被运用至画面,表现由宗教信仰中的精神世界,人类的宇宙探索,心理学现象等引发的默想

“当内部情景不能进入有意识的状态时,它就会在外部发生,宛如命运” 

Nicolaus Copernicus - Heliocentric Solar System 

The work rendered the trajectory of celestial bodies‘ movements in the Makrokosmos by combining the concept of shaping the supernatural structure by mystic color and George Crumb's traditional, mathematical creative techniques. The Loomis technique 

of figure drawing indicates the contemplation caused by the spiritual world of religious beliefs, the exploration of the universe by human beings, and physiological phenomena, etc. 

“When an inner situation is not made conscious, it happens outside, as fate.”