KairosHwang
‘La forma Della voce’, Collections by Palazzo 
Bellini, Italy (2025, with pianist Raidriar Chen)
‘La forma della voce’
This series embodies a synesthetic translation of modern piano repertoire, where chromatic and structural interpretations reveal the imagined landscapes 
composers intend for listeners. My practice navigates the liminal space between auditory and visual expression. 
Olivier Messiaen's theological meditations on nature demand sacred restraint—conveyed through traditional techniques that echo liturgical solemnity. Conversely, 
George Crumb's cosmic vocabulary invites radical deconstruction: mathematical analysis of linear-curvilinear forms births avant-garde visual syntax. 
Five compositional philosophies converge: Caroline Shaw's temporal dialogues (past/present), Messiaen's transcendent symbiosis (nature/faith), Holst's astral 
resonances (cosmic interconnections), Crumb's celestial psychology (planets/psyche), and Ge Ganru's surrealist narratives of societal metamorphosis (history/
humanity). Together, they form a century-spanning cultural symphony materialized in pigment.
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鑼
来源: | 作者:KairosHwang | 发布时间 :2025-06-14 | 82 次浏览: | 🔊 Click to read aloud ❚❚ ▶ | Share:
Media:Comprehensive media
Size:25cm（diameter)
Music by Ge Ganru

锣作为古时祭祀的乐器，

“墓主宴饮图”遵循其定名只是对画像表象的概括，并没有体现出此类画像特有的丧葬属性。仅依照了藏形和安魂两个目的，即《荀子·礼论》所

言：“故葬埋，敬藏其形也；祭祀，敬事其神也；其铭、诔、系世，敬传其名也。

(Gong) As an ancient instrument that’s used in rituals and ceremonies, 

The source of inspiration "Banquet Scene of the Tomb Owner" merely summarizes the representation, failing to reflect the funerary nature inherent in such depictions. This portrayal adheres to the two purposes of ‘preserving the body and comforting the soul,’ as in Xunzi: Discourse on Ritual: ‘Thus, burial respects the preservation of the body; ceremonies are for the respects service to the spirit; inscriptions and eulogies respect the transmission of the name, fame and wealth.’