玄之又玄    Esoteric Art Program  
取自道德经的玄之又玄,众妙之门,道的深奥也是宇宙万物的奥秘。虚无又是实有,在我看我,看画或是人与人、人与物的链接,知觉因人而障,物我两忘,无形无象,绝对存在的体现,意象勾连的通感又具象延伸,所追求的就是意象当中的一丝神凝想象。通过探索“无”,探索的过程中也是共鸣自己,道的虚无和实有,精微性体现在它既是生成万物的本体,又体现了万物无穷奥妙的变化,天地的初始状态是无名,难以言表的,而这种难以言表的初始状态就是玄妙难懂的,多层次的画面就好似一个又一个供给探寻的“门”。“玄”亦如此.就是随着事物的发展,从无到有而产生的蜕化,无为而治。
‘Xuan’(mysterious) yet profoundDerived from the ‘The Scripture of Ethics’, it is the mystical and mysterious gate of all wonders, and the profoundness of the Ethics is also the mystery of all things in the universe. Nothingness is also reality. When I look at myself, enjoy paintings, or the connection between people and things, my perception is hindered by human, and all things are endowed with natural and mysterious colors in the chaste artistic space. It is an intangible manifestation of absolute existence. The synesthesia of image connection is also a concrete extension, pursuing a trace of divine imagination within the image.Through the exploration of "nothingness", the process of exploration also resonates with oneself. The nothingness and reality of the Ethics are ireflected in its subtlety, which not only generates the ontology of all things, but also reflects the infinite and mysterious changes of all things. The initial state of heaven and earth is nameless and difficult to express, and this indescribable initial state is mysterious and difficult to understand. The multi-level painting is like one gate after another that provides for exploration. "Xuan" is also the same. It is a transformation that arises with the development of things, from nothing to something. Governance by doing nothing that goes against nature.
来源: | 作者:KairosHwang | 发布时间 :2025-06-14 | 82 次浏览: | 🔊 Click to read aloud ❚❚ | Share:
Media:Comprehensive media
Size:30cm*70cm
Music by Ge Ganru

琴(雅举)

《听琴图》宋徽宗赵佶

文人雅集的创作,随心所欲,不逾矩。大略的线条依附着背色的历史性,是随意性与艺术的本性相契合。

Qin (Refined living ) 

“Listening to the Qin” by the Huizong Emperor of the Song Dynasty 

One important characteristic of artists at that time is to do as one likes but without exceeding the limits. With rough lines intertwining with the historical backdrop, blending the essence of spontaneity with the intrinsic nature of art.