玄之又玄    Esoteric Art Program  
取自道德经的玄之又玄,众妙之门,道的深奥也是宇宙万物的奥秘。虚无又是实有,在我看我,看画或是人与人、人与物的链接,知觉因人而障,物我两忘,无形无象,绝对存在的体现,意象勾连的通感又具象延伸,所追求的就是意象当中的一丝神凝想象。通过探索“无”,探索的过程中也是共鸣自己,道的虚无和实有,精微性体现在它既是生成万物的本体,又体现了万物无穷奥妙的变化,天地的初始状态是无名,难以言表的,而这种难以言表的初始状态就是玄妙难懂的,多层次的画面就好似一个又一个供给探寻的“门”。“玄”亦如此.就是随着事物的发展,从无到有而产生的蜕化,无为而治。
‘Xuan’(mysterious) yet profoundDerived from the ‘The Scripture of Ethics’, it is the mystical and mysterious gate of all wonders, and the profoundness of the Ethics is also the mystery of all things in the universe. Nothingness is also reality. When I look at myself, enjoy paintings, or the connection between people and things, my perception is hindered by human, and all things are endowed with natural and mysterious colors in the chaste artistic space. It is an intangible manifestation of absolute existence. The synesthesia of image connection is also a concrete extension, pursuing a trace of divine imagination within the image.Through the exploration of "nothingness", the process of exploration also resonates with oneself. The nothingness and reality of the Ethics are ireflected in its subtlety, which not only generates the ontology of all things, but also reflects the infinite and mysterious changes of all things. The initial state of heaven and earth is nameless and difficult to express, and this indescribable initial state is mysterious and difficult to understand. The multi-level painting is like one gate after another that provides for exploration. "Xuan" is also the same. It is a transformation that arises with the development of things, from nothing to something. Governance by doing nothing that goes against nature.
E
来源: | 作者:KairosHwang | 发布时间 :2025-06-15 | 92 次浏览: | 🔊 Click to read aloud ❚❚ | Share:
Size:80*100cm
Media: Comprehensive media



迷恋上所有古典时期的雕塑的肃穆宁静,风化的五官,若有似无的表情,似是而非,迷离隐晦的神情,却又站定自若的形态,好似他在说什么又朦胧玄虚。这种含混的感觉是我一直追寻的。至此,由古典雕塑到自我意象进行了玄幻的显化表达。

在觥筹交错的宇宙里,总是有一些我们说不清道不明的东西,玄学的奥秘,一种微茫又不可言喻的情,显化的真相背后的真情,被困住被惺忪被吞吐,众妙之门,怎么才能找到自己的门,这好像是艺术的含义,你能看到什么,在其中的一扇门里它就能是什么

Enchanted by the solemn and tranquil, weathered features of all classical sculptures, with seemingly absent expressions, specious and ambiguous expressions, yet still standing in a calm and composed form, as if he was talking about something vague and mysterious. This ambiguous feeling is what I have been pursuing. At this point, the manifestation of fantasy has evolved from classical sculpture to self-image. 

In the intertwined universe, there are always some things that we cannot explain clearly, the mysteries of metaphysics, a vague and indescribable emotion, the truth behind the manifested truth, being trapped and swallowed by drowsiness, the door of all wonders, how can we find our own door? This seems to be the meaning of art. What you can see, in one of the doors, it can be what it is intuitive.